11/10/2022 0 Comments Miro prints![]() ![]() ![]() His exceptional work as a printmaker was acknowledged in 1970 with the exhibition Fifty Recent Prints at the Museum of Modern Art in New York. Miró worked with some of the most respected print studios in France and Spain, including Fernand Mourlot, and Aimé Maeght in Paris, and JJ Torralba in Barcelona, who produced many of the prints in this exhibition. Miro prints free#This technique allowed Miró to “express myself without a single hindrance, at a single burst of spirit, without being paralyzed nor slowed down by an outmoded technique that might risk distorting the free expression, purity and freshness of the final result”. Through his connection with eminent printmaker Robert Dutrou, in 1967 Miró was introduced to carborundum, a very painterly and textural print medium, which transformed the artist’s later graphic work and through which he said he created “images to rival any painting”. In the spirit of collaboration, within which he thrived, he worked with experts and learned from them, but always ultimately followed his own path to achieve the results he desired. Miró embraced and experimented with many different printmaking techniques. ![]() Miró saw printmaking as a democratic medium that enabled his works to be circulated to and owned by a wide audience in a meaningful way that did not simply rely on photographic reproductions.Īcross all the media in which he worked, Miró had a passionate, singular vision and an unmistakably rich visual vocabulary, bringing together signs and symbols, a bold colour palette, assured strokes, strong line, and a cast of enigmatic characters, or monsters as he sometimes called them. I suggest the solution of colour prints”. For Joan MIRO (1893-1983) (Spain), the oldest auction result ever registered for an artwork by this artist is a painting sold in 1983, at Christies, and the most recent auction result is a print-multiple sold in 2022. Many of the works in the exhibition are available to purchase, giving an exciting opportunity to own a work by this iconic artist: for more information visit the Miró shop on the YSP website.ĭuring an interview in 1951, Miró was asked about how the public could get close contact with art in their everyday lives, given the barriers of cost and access, and he said, “one should never give up. Whilst Yorkshire Sculpture Park is unable to open its galleries during lockdown and in Tier 3 restrictions, this presentation is online only, featuring films and images. Often viewed primarily as a painter, Miró was also an incredible sculptor and a prolific and dynamic printmaker, as well as producing ceramics, murals and tapestries. ![]()
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